Links to Artists’ Websites
Below is a list of links to the websites of artists featured in this guide.
Publications on/about UK Artists
Please note: Materials in the Study Room are continually being acquired and updated. For the most current titles related to Feminism and Live Art search the online Study Room catalogue with the keyword Feminism and use the advance search function to further search by category and date.
| Reference | Artist/Author/Editor | Title |
|---|---|---|
| P2240 | Alexandrina Hemsley and Jamila Johnson-Small | A Contemporary Struggle (2013) |
| P2480 | Alice Anderson | From Dance to Sculpture (2012) |
| P1879 | Amy Lame, Bird La Bird, Lois Weaver and Carmelita Tropicana | The FeMuseum: Unpainted Ladies (2012) |
| P2548 | Amy Sharrocks | Swim (2007) |
| P0918 | Angela Bartram | Five Years (2007) |
| P2170 | Anna Birch, Taey Iohe | The Wollstonecraft Live Experience! (2010) |
| P0769 | Anne Bean and Rosalind Horne (eds.) | Anne Bean Autobituary: Shadow Deeds (2006) |
| P2571 | Black Audio Film Collective: Ian Breakwell, Nina Danino, Bill Furlong, Sunil Gupta, Tina Keane and Cordelia Swann | Tape/Slide (2013) |
| P1462 | Bobby Baker | Diary Drawings: Mental Illness and Me (2010) |
| P0473 | Bobby Baker | Scanning (1995) |
| P2213 | Caroline Bergvall | Middling English (2010) |
| P2420 | Catherine Fowler | Sally Potter (2009) |
| P0591 | Catherine Gran (ed.) | Electronic Shadows: The Art of Tina Keane (2004) |
| P2425 | Charlotte Rodgers | Sacrifice: a personal experience of contemporary blood rites (2011) |
| P0522 | Christoph Heinrich (ed.) | Mona Hatoum (2004) |
| P2584 | Emma Smith | Emma Smith (2013) |
| P2533 | Genesis Breyer P-Orridge | S/he Is (Still) Her/e (2013) |
| P2397 | Gilane Tawadros | Sonia Boyce: Speaking in Tongues (1997) |
| P0640 | Giovanna Maria Casetta | Looking Good (2005) |
| P0664 | Grace Ndiritu | Grace Ndiritu (2005) |
| P2496 | Guy Brett | Abstract Vaudeville: The Work of Rose English (2014) |
| P0498 | Guy Brett | Carnival of Perception: Selected Writings on Art (2004) [Susan Hiller, Carlyle Reedy, Tina Keane, Hannah O'Shea, Mona Hatoum] |
| P2116 | Hayley Newman | Common (2013) |
| P0638 | Hayley Newman | Le Notti di Roma (2005) |
| P1060 | Hayley Newman | MKVH (Milton Keynes Vertical Horizontal) Screenplay (2007) |
| P0257 | Hayley Newman | Performancemania (2001) |
| P0521 | Hayley Newman | Shanghai Week (2004) |
| P2357 | Helen Chadwick | Helen Chadwick (2004) |
| P1292 | J. Maizlish (ed.) | Marcia Farquhar's 12 Shooters (2009) |
| P2238 | Jo Spence | The Final Project (2013) |
| P2554 | Julia Bardlsey | u' see the image of her 'I' (2014) |
| P2390 | Katherine Araniello | The Dinner Party (2014) |
| P2086 | Kathy Battista | Renegotiating the Body (2013) |
| P2534 | Leslie Hill and Helen Paris | Performing Proximity Curious Intimacies (2014) |
| P0868 | Lionel Bovier (ed.) | Linder: Works 1976-2006 (2006) |
| P0139 | Lizbeth Goodman | Mythic Women / Real Women: Plays and Performance Pieces by Women (2000) |
| P0006 | Lizbeth Goodman (ed.) | Feminist Stages: Interviews with Women in Contemporary British Theatre (1996) |
| P2610 | Lois Weaver, Helen Paris and Leslie Hill | Getting On: A Backstage Tour (2014) |
| P1561 | Lucy Suggate | Various Works (2010) |
| P2573 | Manuel Vason | Double Exposures (2014) [Helena Blacker, Lois Keidan, Alice Maude-Roxby, Joanna Zylinska, Lucille Acevedo-Jones, Rajni Shah, Katherine Araniello, Oreet Ashery, Julia Bardsley, Dickie Beau, Nicola Canavan, Marisa Carnesky, Giovanna Maria Casetta, Marcia Farquhar, Eloise Fornieres, Helena Goldwater, Helena Hunter, David Hoyle, Iona Kewney, No‘mi Lakmaier, Stacy Makishi, Rita Marcalo, Mouse, Sinead O'Donnell, Florence Peake, çine Phillips, The Famous Lauren Barri Holstein, Elvira Santamaria Torres, Alexandra Zierle] |
| P2050 | Marcia Farquhar | Acts of Clothing (2009) |
| P1910 | Maria Fusco and Richard Birkett (eds.) | Cosey Complex (2012) |
| P2588 | Maria Sideri | It Comes in Waves: Issue #1 (2014) |
| P0836 | Martha Wilson (ed.) | Sex, Performance, and the 80's: L.A. London Catalog (1982) [Rose English, Rose Finn-Kelcey, Tina Keane, Sonia Knox, Hannah O'Shea, Sally Potter, Carlyle Reedy, The Marx Brothers] |
| P1051 | Michele Barrett and Bobby Baker (eds.) | Bobby Baker: Redeeming features of daily life (2007) |
| P2413 | Mo Throp | The Performance Dinners (2010) [Mo Throp, Maria Walsh, Verina Gfader, Georgina Starr, Kate Smith, Leda Papaconstantinou, Monica Oechsler, Katherine Meynell, Despina Meimaroglou, Rebecca Fortnum, Sutapa Biswas, Laura Malacart, Catherine Maffioletti, Claire MacDonald, Dominika Kieruzel, Susan Kelly, Rebecca Hallifax, Lucy Gunning, Fran Cottell, Brian Dawn Chalkley, Jo Bruton, Katie Bake,r Gill Addison, Claudia Kappenberg, Celestin Edwards, Maria Wals,h Sarah Tremlett, Ana Laura Lopez de la Torres, Sissu Tarka, Sarah Smith, Lucy Reynolds, Anita Ponton, Susannah Pa, Jo Mitchell, Catherine Maffioletti, Claire Walsh, Marcia Farquhar, Sharon Bennett, Oreet Ashery, Yolande Burgin, Rose Cronin, Elisha Foust, Oriana Fox, Dominika Kieruzel, Elena Loizidou, Kristen Lovelock, Caroline Smith] |
| P0194 | Monica Ross | Valentine (2000) |
| P2119 | Natasha Davis | Performance Film Installation |
| P1260 | Oreet Ashery | Dancing With Men (2009) |
| P1390 | Oreet Ashery | Staying: Dream Bin Soft Stud and Other Stories (2010) |
| P1453 | Oreet Ashery | Staying: Dream Bin Soft Stud and Other Stories Workshop Notes (2009/2010) |
| P2581 | Oreet Ashery | The World is Flooding (2014) |
| P1291 | Oreet Ashery and Larissa Sansour | The Novel of Nonel and Vovel (2009) |
| P2579 | Phoebe Davies | Nailwraps: Influences (2014) |
| P1318 | Rajni Shah | Dinner with America - Essays, Films, Images and Conversations (2008) |
| P2217 | Rona Lee | That Oceanic Feeling (2012) |
| P0256 | Rose English, Jacky Lansley and Sally Potter | Mounting (1977) [artists’ book] |
| P2270 | Rose Finn-Kelcey | Rose Finn-Kelcey (2013) |
| P0012 | Rose Garrard and Bev Bytheway (eds.) | Rose Garrard: Archiving My Own History: Documentation of works 1969-1994 |
| P1075 | Silvia Ziranek | Dress Messages – A Word on Wear (2004) |
| P1093 | Silvia Ziranek | Ici Villa Moi (1989) |
| P1083, | Silvia Ziranek | Very Food (1987) |
| P0202 | Simon Ford | Wreckers of Civilisation (1999) [Cosey Fanni Tutti] |
| P1544 | Sonia Boyce | Like Love (2010) |
| P2421 | Sophie Mayer | The Cinema of Sally Potter: A Politics of Love (2009) |
| P2336 | Stephen Walker | Helen Chadwick: Constructing Identities Between Art and Architecture (2013) |
| P2330 | Susan Croft | Re-staging Revolutions: Alternative Theatre in Lambeth and Camden 1968-88 (2013) |
| P1335 | Susan Hiller | The Last Silent Movie (2008) |
| P2222 | Veit Gorner, Henrich Dietz (eds.) | Linder (2013) |
| P2280 | Yve Lomax | Pure Means (2013) |
| P2114 | Zora von Burden (ed.) | Women of the Underground: Art - Cultural Innovators Speak for Themselves (2012) |
Publications on/about Worldwide Artists
| Reference | Author/Editor | Title |
|---|---|---|
| P0675 | Adrian Piper | Out of Order, Out of Sight: Selected Writings in Art Criticism 1967-1992 vol.II (1996) |
| P0715 | Adrian Piper | Out of Order, Out of Sight: Selected Writings in Art Criticism 1967-1992 vol.I (1996) |
| P0697 | Adrian Piper | Coloured People (1991) |
| P2396 | Adrian Piper: Race | Gender and Embodiment (2011) |
| P1826 | Adrien Sina | Feminine Futures: Valentine de Saint-Point – Performance, Dance, War, Politics and Eroticism (2006) |
| P1655 | Agnes Husslein-Arco, Angelika Nollert, Stella Rollig | VALIE EXPORT (2010) |
| P0528 | Alexandra Munroe and Jon Hendricks (eds.) | Yes: Yoko Ono (2000) |
| P1800 | Alina Troyano | I, Carmelita Tropicana: Performing Between Cultures (2000) |
| P1012 | Amanda Coogan | A Brick in the Handbag (2004) |
| P1321 | Ana Laura Lopez de la Torre | Night Time (2009) |
| P2332 | Ana Mendieta | Traces (2013) |
| P2394 | Ana Mendieta | She Got Love (2014) |
| P2440 | Ana Mendieta | Blood and Fire (2011) |
| P1232 | Andrea Saemann, Katrin Grögel (eds.) | Performance Saga Interview 08: Alison Knowles (2008) |
| P1231 | Andrea Saemann, Katrin Grögel (eds.) | Performance Saga Interview 07: Martha Rosler (2008) |
| P1230 | Andrea Saemann, Katrin Grögel (eds.) | Performance Saga Interview 06: Joan Jonas (2008) |
| P1661 | Ann Maria Healy, Helena Walsh | Brutal Silences: A Study Room Guide On Live Art In Ireland (2011 ) |
| P2580 | Anna Berndtson | Anna Berndtson (2014) |
| P0624 | Annie Sprinkle and Gabrielle Cody (eds.) | Hardcore from the Heart: The Pleasures, Profits and Politics of Sex in Performance – Annie Sprinkle Solo (2001) |
| P2391 | Bettina Knaup and Beatrice Ellen Stammer | re.act.feminism: a performing archive (2013) |
| P2233 | Carla Cugini (ed.) | Andrea Fraser: Texts, Scripts, Transcripts (2013) |
| P2473 | Carolee Schneemann | More Than Meat Joy: Performance Works and Selected Writings (1998) |
| P0346 | Carolee Schneemann | Imaging Her Erotics (2002) |
| P0281 | Caroline Collier and Stephen Foster | Gina Pane (2002) |
| P1157 | Catherine Woof (ed.) | Yvonne Rainer: The Mind is a Muscle (2007) |
| P2395 | Cherise Smith | Enacting Others: Politics of Identity (2011) [Adrian Piper, Eleanor Antin, Anna Deavere Smith, Nikki S. Lee] |
| P0168 | Christine Buci-Giucksmann | Orlan: triomphe du baroque (2000) |
| P0595 | Claire Rousier (ed.) | La Ribot II (2004) |
| P1825 | Claude Cahun and Marcel Moore | Don’t Kiss Me: The art of claude cahun and marcel moore (2006) |
| P0140 | Coco Fusco (ed.) | Corpus Delecti: Performance Art of the Americas (2000) |
| P2024 | Cocu Fusco | English Is Broken Here (1995) |
| P2531 | Daphne Pappers and Liesbeth Levy | Common Skin - Myriam Mihindou (2014) |
| P2609 | David A. Bailey, Gilane Tawadros (eds) | Veil: Veiling, Representation and Contemporary Art (2003) |
| P2462 | Diego Sileo and Eugenio Viola | Regina Jose Galindo: Estoy Viva (2014) |
| P2101 | Diego Sileo, Eugenio Viola (eds.) | Marina Abramović : The Abramović Method (2012) |
| P2547 | Eleanor Antin | Conversations with Stalin (2013) |
| P2464 | Eleanor Antin | 100 Boots (1999) |
| P2355 | Eleanor Heartney et al (eds.) | The Reckoning: Women Artists of the New Millenium (2013) |
| P2497 | Eleanor Heartney et al. | After the Revolution: Women Who Transformed Contemporary Art – Revised and Expanded Edition (2013) |
| P0940 | Elizabeth Stephens | Photos, sculpture, installations 1994-2000 (2000) |
| P0941 | Elizabeth Stephens and Annie Sprinkle | The Love Art Laboratory (2005) |
| P2439 | Emely Neu, Jade French, Pussy Riot | Let's Start A Pussy Riot (2013) [Pussy Riot] |
| P2494 | Emily Liebert | Multiple Occupancy: Eleanor Antin's 'Selves' (2013) |
| P2342 | Feminist Press | Pussy Riot: A Punk Prayer for Freedom (2013) |
| P0337 | Germano Celant (ed.) | Marina Abramović: Public Body (1998) |
| P0545 | Gloria Moure | Ana Mendieta (1996) |
| P0021 | Institute of Contemporary Arts [London] | Bad Girls (1994) [Penny Arcade, Nicole Eisenman, Nan Goldin, Deborah Levy, Peggy Phelan, Riot Grrrl] |
| P1383 | Ishiuchi Miyako | Mother’s 2000-20005: traces of the future (2005) |
| P1465 | James Westcott | When Marina Abramović Dies: A Biography (2010) |
| P2124 | Jane Blocker | Where is Ana Mendieta? Identity, Performativity and Exile (1999) |
| P0824 | Janine Antoni | The Girl Made of Butter (2000) |
| P0874 | Janine Antoni | Ready or Not, Here I come (2006) |
| P0823 | Janine Antoni | Moor (2003) |
| P0822 | Janine Antoni | Janine Antoni (2000) |
| P0989 | Janine Antoni (ed.) | Lore and Other Convergences (2007) |
| P2183 | Jayne Wark | Radical Gestures: Feminism and Performance Art in North America (2006) |
| P2022 | Jenny Lopez | Maria Teresa Hincapie: Her body is her religion, her actions her art – Performance art from Latin America (1996) |
| P1525 | Jess Dobkin | Performance Artist: This is my work 2003-2010 (2010) |
| P2375 | Jill Dolan (ed.) | A Menopausal Gentleman: The Solo Performances of Peggy Shaw (2011) |
| P2377 | Joan Jonas | Performance Video Installation 1968-2000 (2000) |
| P2204 | Joan Jonas (2004) | Joan Jonas |
| P2225 | Judith Rudakoff | Trans(per)forming Nina Arsenault (2012) |
| P2252 | Karen Finley | The Reality Shows: Karen Finley (2011) |
| P2382 | Karen Finley | Shock Treatment (1990) |
| P2501 | Karen Finley | Pooh Unplugged: A Parody (1999) |
| P2500 | Karen Finley | Living It Up (1996) |
| P2424 | Karen Finley | Enough is Enough: Weekly Meditations for Living Dysfunctionally (1993) |
| P2499 | Karen Finley | Aroused: A Collection of Erotic Writing (2001) |
| P2242 | Karen Finley | A Different Kind of Intimacy (2000) |
| P2545 | Kate Antosik-Parsons | Etudes Irlandaises, ‘Suppressed Voices: The Suffering and Silencing of Irish Institutional Abuse Survivors in Aine Phillips's Redress Performances' (2014) |
| P2607 | Katja Kobolt and Zdravković | Performative Gestures Political Moves (2010) [City of Women] |
| P2337 | Kristine Stiled (ed.) | Correspondence Course: an epistolary history of Carolee Schneemann and her circle (2010) |
| P1324 | Kristine Stiles, Klaus Biesenbach, Chrissie Iles (eds.) | Marina Abramović (2008) |
| P0594 | La Ribot, Marc Pérennès, Luc Derycke (eds.) | La Ribot I (2004) |
| P1830 | Labour: A Live Exhibition | Performances by Irish Female Artists 2102 |
| P2451 | LADA | STUDY ROOM GUIDE / LADA ANTHOLOGY: GIRLS ON FILM (2013) |
| P2402 | Laurie Anderson | Nothing In My Pockets (2009) |
| P1197 | Leda Papaconstantinou: performance | film, video 1969-2004 (2005) |
| P2419 | Lee Lozano | Dropout Piece (2014) |
| P2400 | Lenora Champagne | Out From Under: Texts by Women Performance Artists (1990) |
| P0598 | Linda M. Montano and Jennie Klein (eds.) | Letters from Linda M. Montano (2005) |
| P0015 | Linda Montano | Art in Everyday Life (1981) |
| P0867 | Lisa Gabrielle Mark (ed.) | WACK! Art and the Feminist Revolution (2007) |
| P2562 | Maren and Maurice Berger Hassinger | Maren Hassinger 1972 - 1991 (1991) |
| P0388 | Marie Jose Kerejeta | Orlan 1964-2004 (2002) |
| P1647 | Marina Abramović | The Artist is Present (2010) |
| P1002 | Marina Abramović | Seven Easy Pieces (2007) |
| P2214 | Marina Abramović | objects performance video sound (1995) |
| P0526 | Marina Abramović | Marina Abramović: Student Body (2004) |
| P0835 | Marina Abramović | Balkan Epic (2006) |
| P0122 | Marina Abramović (ed.) | Artist Body (1998) |
| P2406 | Marina Abramović Institute | Marina AbramovićInstitute (2013) |
| P2528 | Martha Wilson | Staging the Self: 30 Projects from 30 Years of Franklin Furnace Archive Inc. (2009) |
| P2125 | Martha Wilson | Martha Wilson Sourcebook - 40 Years of Reconsidering Feminism, Performance, Alternative Spaces (2011) |
| P1331 | Mary Richards | Marina Abramović (2010) |
| P2343 | Masha Gessen | Words Will Break Cement: The Passion of Pussy Riot (2014) |
| P0505 | Meiling Cheng | ‘Sacred Naked Nature Girls’ |
| P0502 | Meiling Cheng | ‘Les Demoiselles d/L.A.: Sacred Naked Nature Girls - Untitled Flesh’ (1998) |
| P0507 | Meiling Cheng | ‘Elia Arce’s Performance Art: Transculturation, Feminism, Politicized Individualism’, Text and Performance Quarterly, 20.2. (2000) |
| P0589 | Mella Jaarsma | Moral Pointers (2001) |
| P2001 | Mesto Zensk | 12th International Festival of Contemporary Arts: City of Women (2006) |
| P0544 | Michael Laub | The Biography Remix: Marina Abramović (2004) |
| P0987 | Mirjam Milharčič Hladnik | 13th International Festival of Contemporary Arts: City of Women (2007) |
| P1767 | Miško Šuvaković, Marijan Špoljar, Vlado Martek (eds.) | Vlasta Delimar: monografija performans (2003) |
| P2495 | Moira Roth | The Amazing Decade: Women and Performance Art in America, 1970-1980 (1983) |
| P2274 | Monica Mayer, Rosa Chilante | Mujeres y Performance an Mexico (2004) |
| P1384 | Mowa Yanagi | Miwa Yanagi (2009) |
| P0411 | n.paradoxa | International Feminist Art Journal 5 (2000) [Sally Potter, Japanese Women Artists, Bojana Pejic, Bobby Baker, Linda Montano, and more] |
| P0412 | n.paradoxa | International Feminist Art Journal 12 (2003), [Orlan, Karen Finley, Polish and Russian Women Artists, and more] |
| P1954 | n.paradoxa, Katy Deepwell | n.paradoxa’s 12 Step Guide to Feminist Art, n.paradoxa’s 12 Step Guide to Feminist Art, issue 21, Sept 2010 |
| P2370 | Nancy Princenthal | Hannah Wilke (2010) |
| P2326 | Nezaket Ekici | Personal Map – To be Continued…. |
| P1605 | Nezaket Ekici | Nezaket Ekici (2004) |
| P1960 | Norbert Servos | Pina Bausch: Dance Theatre (2008) |
| P2448 | Olga Viso | Unseen Mendieta: The Unpublished Works of Ana Mendieta (2008) |
| P0547 | Patti Smith | Complete notes and reflections (1999) |
| P1418 | Paula Orrell (ed.) | Marina Abramović + the Future of Performance Art (2010) |
| P1998 | Pawel Leszkowicz (ed.) | Love is Love – Art as LGBTQ Activism: From Britain to Belarus (2011) [exhibition catalogue] |
| P1412 | Penny Arcade | Bad Reputation: Performances, Essays, Interviews (2009) |
| P0142 | Performing Arts Journal | 49 (1995) [Orlan, Cindy Sherman, Nan Goldin] |
| P2447 | Rebecca Horn | Rebecca Horn (1995) |
| P2588 | Riders of the Apocalypse | really? [Vlasta Delimar, Milan Božić, Pino Ivančić ] (2012) |
| P0215 | Robert Ayers | The Special and The Unusual: Listening to Orlan (1999) |
| P1647 | Robert Wilson | The Life and Death of Marina Abramović(2011) [show programme] |
| P0336 | RoseLee Goldberg | Laurie Anderson (2000) |
| P1945 | Royd Climenhaga (ed.) | The Pina Bausch Sourcebook The Making of Tanztheater (2011) |
| P1643 | Simon Donger, Simon Shepherd, Orlan (eds.) | Orlan: A Hybrid Body of Artworks (2010) |
| P1377 | Sophie Calle | The Reader (2009) |
| P0948 | Sophie Calle | Take Care of Yourself (2007) |
| P2469 | Sophie Calle | Double Game (2007) |
| P0484 | Split Britches | Lesbian Practice/Feminist Performance (1996) |
| P1973 | Susan Bassnett | Magdalena – International Women’s Experimental Theatre (1989) |
| P1155 | Susan Morgan (ed.) | Joan Jonas: I Want to Live in the Country (and Other Romances) (2006) |
| P1962 | Suzanne Lacy | Leaving Art: Writings on Performance, Politics, and Publics 1974 – 2007 (2010) |
| P2543 | Tania Bruguera | On the Political Imaginary (2010) |
| P2356 | Tracy Fitzpatrick | Hannah Wilke: Gestures (2009) |
| P2503 | V. Vale (ed.) | Lydia Lunch (2013) |
| P2246 | VALIE EXPORT | VALIE EXPORT (2003) |
| P1596 | VALIE EXPORT | [exhibition booklet] (2004) |
| P2605 | Vanilla Edizioni (ed) | Regina José Galindo (2006) |
| P2546 | Various | Sigalit Landau (2014) |
| P1386 | Various | Life Actually: The works of contemporary Japanese Women (2005) |
| P1836 | Various | Doin’ It In Public: Feminism and Art at the Woman’s Building (2012) [exhibition catalogue] |
| P2483 | Various | Tania Bruguera (2010) |
| P2449 | Vlasta Delimar | To Sam Ja / This Is I (2008) |
| P1253 | Vlasta Delimar | Guilt: Retelling a story life (2004) |
| P1252 | Vlasta Delimar | Conversation with the Warrior or Woman has Disappeared (1999/2000) |
| P0551 | Yayoi Kusama | Yayoi Kusama (2001) |
| P1949 | Yilmaz Dziewior (ed.) | VALIE EXPORT: Archiv (2012) |
| P2415 | Yingmei Duan | Performance & Performative Installation Art 1995-2013 (2013) |
| P0464 | Yishu: Journal of Contemporary Chinese Art | Special Issue ‘Women Artists: Cruel/Loving Bodies’ (2003 |
| P2074 | Yoko Ono | To The Light (2012) [exhibition catalogue] |
| P1289 | Yoko Ono | Grapefruit: A Book of Instruction and Drawings (2000) |
| P2180 | Yoko Ono | Acorn (2013) |
| P2114 | Zora von Burden (ed.) | Women of the Underground: Art – Cultural Innovators Speak for Themselves (2012) |
Theoretical Texts
| Reference | Author/Editor | Title |
|---|---|---|
| P0980 | Adrienne Sara Katz | Changing Narratives: Performative acts of reclaiming the body through elective corporeal trauma (2007) |
| P0607 | Allucquère Rosanne Stone | The War of Desire and Technology at the Close of the Mechanical Age (1995) |
| P0013 | Amelia Jones | Body Art: Performing the Subject (1998) |
| P1889 | Amelia Jones | Seeing Differently: A history and theory of identification and the visual arts (2012) |
| P1551 | Amelia Jones | Self/Image: Technology, Representation and the Contemporary Subject (2006) |
| P0373 | Amelia Jones (ed.) | The Feminism and Visual Culture Reader (2003) |
| P2380 | Amy Scholder and Ira Silverberg (eds.) | High Risk: An anthology of Forbidden Writings (1991) |
| P0144 | Andrea Juno and V. Vale (eds.) | Angry Women (1991) |
| P0540 | Art History 26.3 | Difference and Excess in Contemporary Art: The Visibility of Women’s Practice (2003) |
| P2502 | Barbara Brook | Feminist Perspectives on the Body (1999) |
| P2144 | Catherine Lord and Richard Meyer | Art and Queer Culture (2013) |
| P2383 | Clare Johnson | Femininity, Time and Feminist Art (2013) |
| P0241 | Coco Fusco | The Bodies That Were Not Ours (2001) |
| P1389 | Colette Conroy | Theatre & the Body (2010) |
| P2122 | Geraldine Harris, Elaine Aston | Feminist Futures? Theatre, Performance, Theory (2007) |
| P2498 | Helen McDonald | Erotic Ambiguities: The Female Nude in Art (2001) |
| P0229 | Helena Reckitt and Peggy Phelan (eds.) | Art and Feminism (2001) |
| P2227 | J Halberstam | Gaga Feminism (2012) |
| P0523 | Jennifer Blessing (ed.) | Rrose is a Rrose is a Rrose: Gender Performance in Photography (1997) |
| P2269 | Jennifer Doyle | Hold it Against Me: difficulty and emotion in contemporary art (2013) |
| P1473 | Jill Dolan | Theatre & Sexuality (2010) |
| P0798 | Jose Esteban Munoz | Disidentifications: Queers of Color and the Performance of Politics (1999) [also Carmelita Tropicana, Vaginal Davis] |
| P2232 | Judith Halberstam | The Queer Art of Failure (2011) |
| P2196 | Judith Halbertstam | Female Masculinity (1998) |
| P2244 | Kate Bornstein | Gender Outaw: On Men, Women, and the Rest of Us (1995) |
| P2245 | Kate Bornstein | My New Gender Workbook (2013) |
| P2430 | Kate Eichorn | The Archival Turn in Feminism: Outrage in Order (2013) |
| P0362 | Katherine Liepe-Levindon (ed.) | Strip Show: Performances of Gender and Desire (2002) |
| P0287 | Kathy O’Dell | Contract with the Skin: Masochism, Performance Art and the 1970s (1998) |
| P2216 | Kontejner (eds.) | Extravagant Bodies: Extravagant Age (2013) |
| P2265 | Laura Cottingham | Seeing Through the Seventies: Essays on Feminism and Art |
| P2453 | Laura Erikson Schroth | Trans Bodies, Trans Selves: A Resource for the Transgender Community (2014) |
| P1781 | Lauren Berlant | The Female Complaint: The Unfinished Business of Sentimentality in American Culture (2008) |
| P0364 | Laurence Senelick | The Changing room: Sex, drag and theatre (2000) |
| P0428 | Leslie Hill and Helen Paris | Guerilla Performance and Multimedia (2001) |
| P0867 | Lisa Gabrielle Mark (ed.) | WACK! Art and the Feminist Revolution (2007) |
| P0003 | Lizbeth Goodman | Contemporary Feminist Theatres: To Each Her Own (1993) [Women’s Theatre Group, Monstrous Regiment, Gay Sweatshop, Siren] |
| P0004 | Lizbeth Goodman (ed.) | The Routledge Reader in Gender and Performance (1998) |
| P0992 | Luce Irigaray | Elemental Passions (1982) |
| P2177 | Lynette Goddard | Staging Black Feminisms: Identity, Politics, Performance (2007) |
| P0277 | Marie-Anne Mancio | Maps for Wayward Performers: Feminist Readings and Contemporary Live Art Practice [PhD thesis] (1996) |
| P1469 | Mathias Danbolt, Jane Rowley and Louise Wolthers (eds.) | Lost and Found: Queerying the Archive (2009) |
| P2366 | n.paradoxa | religion (2014) |
| P1677 | Oriana Fox, Charlotte Troy | The Moon: Women Watch Themselves Being Look At (2009) |
| P2432 | Patrick Keilty and Rebecca Dean | Feminist and Queer Information Studies Reader (2013) |
| P0128 | Peggy Phelan | Mourning Sex: Performing Public Memories (1997) |
| P0118 | Peggy Phelan | Unmarked: The Politics of Performance (1993) |
| P2578 | Performance Research | On Affirmation (2014) [The Famous Lauren Barri Holstein, Yoko Ono, David Hoyle] |
| P2577 | Performance Research | On Time (2014) [Heather Cassils, Linda Montano, Peggy Phelan] |
| P2574 | Performance Research | Performing Ethos (2012) [one-to-one performance, Eirini Kartsaki, Rachel Zerihan, Alison Matthews, Joanna Bucknall, Jess Dobkin, Tania El Khoury Lena Simic Ursula Martinez] |
| P2310 | Peter Horne and Reina Lewis (eds.) | Outlooks: Lesbian and Gay Sexualities and Visual Cultures (1996) |
| P1550 | Petra Kuppers | The Scar of Visibility: Medical Performances and Contemporary Art (2007) |
| P0124 | Rebecca Schneider | The Explicit Body in Performance (1997) |
| P2123 | Sue-Ellen Case | Feminist and Queer Performance: Critical Strategies (2008) |
| P0525 | Susan Sontag | Illness as Metaphor and AIDS and Its Metaphors (1991) |
| P0524 | Susan Sontag | Regarding the Pain of Others (2003) |
| P0688 | The Guerilla Girls | Bitches, Bimbos and Ballbreakers: The Guerilla Girls’ Illustrated Guide to Female Stereotypes (2003) |
| P0116 | Tracey Warr and Amelia Jones (eds.) | The Artist’s Body (2000) |
| P2114 | Zora von Burden (ed.) | Women of the Underground: Art - Cultural Innovators Speak for Themselves (2012) |
Digital Documentation
| Reference | Artist | Title |
|---|---|---|
| EF0123 | Aine Phillips | Harness |
| EV0464 | Aine Phillips | There Is Only Love And Longing |
| EF5091 | Annie Griffin | Almost Persuaded |
| EV0045 | Annie Sprinkle | My Body Is A Temple |
| EV0332 | Bobby Baker | Kitchen Drawing |
| EV0523 | Bobby Baker | Spitting Mad |
| ED0461 | Caroline Bowditch and Fiona Wright | Girl Jonah |
| EV0176 | Cindy Cummings | I Luuv Merika Goddaammit |
| EV0033 | Diane Torr | Drag Kings Subjects |
| EV0059 | Dorothea Smartt / Sherelle Mitchell | From Me To You To Me |
| EF5003 | Gillie Kleiman | Ophelia Is Not Dead |
| EV0103 | Helen Paris | Marigolds |
| EV0095 | Helena Goldwater | Hairs |
| EV0142 | Holly Hughes | Sins Of Omission |
| EV0725 | Juliet Robson | Norman And Shopping |
| ED1427 | Katherine Araniello | Terminal Services |
| EV0249 | Kira Oreilly | 13 |
| EV0347 | Kira Oreilly | Wet Cup |
| EV0104 | La Ribot | Piezas |
| EV0002 | Leslie Hill | Aunt Bill |
| EV0100 | Leslie Hill | Push The Boat Out |
| EV0061 | Lotty Rosenfeld | Operations |
| EV0064 | Lotty Rosenfeld | Documentation |
| EV0447 | Marcia Farquhar | Soap Cloakroom Coming Round Again Again |
| EV0098 | Marisa Carnesky | Dragon Lady |
| EV0315 | Marisa Carnesky | Jewess Tattoess |
| EV0141 | Marty Pottenger | Construction Stories |
| EV0185 | Mary Duffy | Stories Of A Body |
| EV0062 | Nao Bustamante | Sexikitsch |
| EF5111 | Nic Green | Trilogy |
| EF5072 | Oreet Ashery | Hairoism |
| EV0253 | Oreet Ashery | Dancing Occupation Latebaby |
| EV0396 | Oreet Ashery | Wake Like For You |
| EV0574 | Oreet Ashery | Say Cheese Extracts |
| EV0081 | Orlan | Woman With Head |
| EV0082 | Orlan | This Is My Body |
| EV0123 | Pamela Sneed | Mayla |
| EV0143 | Penny Arcade | Bitch! Dyke! Faghag! Whore! |
| EV0107 | Robbie Mccauley | Sallys Rape |
| EF5106 | Rocio Bolivier | Times Go By And I Can't Forget You' |
| EV0105 | Rona Lee | Avid Metamorphosis 1 |
| EF5085 | Rosana Cade | Sister |
| EV0724 | Sonia Boyce | I want to see it: twirl, wiggle, spin & chew |
| EV0133 | Susan Lewis | Walking Tall |
| EF5074 | The Famous Lauren Barri Holstein | How 2 Become 1 |
DVD Documentation
| Reference | Artist/Author | Title |
|---|---|---|
| D1307 | Adalet Garmiany and Clare Charnley | Wata / Speech - a series of collaborative performance using different languages |
| D0343 | Adrien Sina | Performance, Politics, Ethics and Human Rights: Screening Programme |
| D1952 | Aine Phillips | Spectral |
| D1144 | Alison Knowles | Performance Saga - Interview 08 - Alison Knowles |
| D1749 | Amanda Coogan | Yellow Re-Performed: Six, from a live performance |
| D2040 | Ann Liv Young | Sleeping Beauty, Part 1, first night |
| D2038 | Ann Liv Young | Mermaid Show |
| D2039 | Ann Liv Young | Sherry and Naomi |
| D2036 | Ann Liv Young | Tribute to Elliot Krems |
| D2037 | Ann Liv Young | Sherry vs Kanye |
| D2041 | Ann Liv Young | Chicken Show |
| D1908 | Ann Liv Young | Snow White |
| D1900 | Ann Liv Young | Solo |
| D1872 | Ann Liv Young | Michael |
| D2042 | Ann Liv Young | Sherry Hunter |
| D1909 | Ann Liv Young | Cinderella |
| D1911 | Ann Liv Young | Sherry Abrons |
| D1910 | Ann Liv Young | Ann Liv Young |
| D1907 | Ann Liv Young | Ben's Video |
| D2064 | Anna Birch, Cicely Hamilton | A Pageant of Great Women |
| D2063 | Anna Birch, Kaethe Fine | Vindication and Wollstonecraft Live! |
| D0774 | Annie Sprinkle | HerStory of Porn |
| D0777 | Annie Sprinkle | Kiss |
| D0775 | Annie Sprinkle | Annie Sprinkle's Amazing World of Orgasm |
| D0776 | Annie Sprinkle | Exposed: Experiments in Love, Sex, Death and Art |
| D0779 | Annie Sprinkle | Orange Wedding Two |
| D2165 | Antagonist Art Movement | Anything Boys Can Do/Mark of Ninja |
| D0153 | Barby Asante | Selected Works |
| D2104 | Bean & Benjamin Sebastian of ]performance s p a c e [, Mara Vujic, Keith Khan, Lois Keidan | Trashing Performance, Mainstream and Underground Panel |
| D0386 | Bobby Baker | How to Live |
| D0962 | Bobby Baker | How to Live |
| D0960 | Bobby Baker | Daily Life Series: 5 Box Story |
| D0961 | Bobby Baker | Table Occasion No 19 |
| D0963 | Bobby Baker | Drawing on a Mother's Experience |
| D0964 | Bobby Baker | Cook Dems |
| D0959 | Bobby Baker | Daily Life Series: 4 Grown-Up School |
| D0958 | Bobby Baker | Daily Life Series: 3 Take a Peek! |
| D0957 | Bobby Baker | Daily Life Series: 2 How to Shop |
| D0956 | Bobby Baker | Daily Life Series: 1 Kitchen Show |
| D0991 | Carolee Scheemann | Performance Saga - Interview 04 - Carolee Scheemann |
| D2114 | Carolee Schneemann | Utterly Precarious: A master class with Carolee Schneemann |
| D2095 | Caroline Bergvall | Ghost Pieces |
| D0205 | Claudia Dias | One Woman Show |
| D1817 | Coco Fusco | I Like Girls in Uniform |
| D0715 | Curious | (be)longing |
| D0722 | Curious | Performing Rights Collection - Vienna - (be)longing |
| D0171 | Curious | Essences of London |
| D1059 | Curiuos | Sacred 2008 - (be)longing film |
| D1660 | David Hoyle | Magazine: 10 Live performance essays by David Hoyle |
| D0037 | Deej Fabyc | Compilation |
| D0972 | Delpha Hudson | A Walk with Jane Austen |
| D0973 | Delpha Hudson & Helen Battelley | Pleasure in Slowness |
| D1215 | Efi Ben-David | Cordunesc and Ramble Blind |
| D2116 | Eleanor Sikorski | Love Songs |
| D0951 | Esther Ferrer | Performance Saga Interview 01 - Esther Ferrer |
| D0589 | Fiona Wright | Solo Performance Lectures |
| D1713 | Gillie Kleiman | Ophelia Is Not Dead |
| D2051 | Heather Cassils | Heather Cassils - Performance Documents |
| D0800 | Helena Goldwater | Not Tonight Darling, I'm Washing My Hair |
| D1816 | Helena Walsh | Containing Crisis |
| D2104 | Helene Cixous, Adrian Heathfield, Hugo Glendinning | Performing Idea: Performative Writing |
| D0668 | Janine Antoni and Melissa Martin | Lore and Other Convergences: Talk |
| D0669 | Janine Antoni and Melissa Martin | Lore and Other Convergences: Performances |
| D1492 | Jess Dobkin | Performance Artist: Compilation DVD 2003-2010 |
| D1258 | Jess Dobkin | Fee For Service |
| D1259 | Jess Dobkin | Compilation of recent performance art work (2003 - 2009) |
| D1142 | Joan Jonas | Performance Saga - Interview 06 - Joan Jonas |
| D2104 | Joe E. Jeffreys, Bettina Knaup | Trashing Performance, Outsider Actions, In Conversation |
| D1810 | Johanna Went | Club Years |
| D2155 | Josefina Alcázar | Mujeres en Acción |
| D1555 | Julie Tolentino | Cry of Love |
| D2098 | Karen Finley | Fear of Living |
| D1427 | Katherine Araniello | Terminal Services & Vital Statistics |
| D0298 | Kira O'Reilly | In the Wrong Placeness (2005) |
| D1680 | Korinna McRobert | Portfolio |
| D0804 | La Ribot | Trientaycuarto Pieces Distinguees & One Striptease |
| D0155 | La Ribot | Distinguida |
| D0430 | La Ribot | Still Distinguished |
| D1896 | Laurie Anderson | Big Science |
| D1131 | Leda Papaconstantinou | In the Name of |
| D1185 | Leda Papaconstantinou | Do You Love Me; They; Today What; Boxed |
| D1186 | Leda Papaconstantinou | Oh Godard; Votive; Bite; Porn; Genet's toaster; Arrows are of Eros; Pregnant; Friends; Happy End |
| D1184 | Leda Papaconstantinou | She Who Cries; Strip: The Chronicle of an Interrogation |
| D1183 | Leda Papaconstantinou | Performance and More |
| D2183 | Leslie Hill & Helen | (be)longing |
| D0121 | Leung Po Shan (Anthony Leung) | Devotion 1 |
| D1071 | Lois Weaver | Sacred (2008) - What Tammy Needs To Know About Getting Old and Having Sex (2008) |
| D2104 | Lois Weaver, Bird La Bird, Amy Lame, Carmelita Tropicana | Trashing Performance, Musing Muses & FeMUSEum |
| D0334 | Louise Manifold | Back Embrace |
| D2053 | Lucy Hutson | If You Want Bigger Yorkshire Puddings You Need a Bigger Tin |
| D1125 | Lucy Woollett | Ladies, All the Ladies |
| D2093 | Lynn Hershman Leeson | Women Art Revolution |
| D1283 | Manah Depauw | Johnson and Johnson |
| D1895 | Marina Abramovic | The Artist is Present |
| D1143 | Martha Rosler | Performance Saga - Interview 07 - Martha Rosler |
| D1671 | Milan Bozic, Antonio Gotovac, Vlasta Delimar | Two Men and Woman |
| D1300 | Miss High Leg Kick | Miss High Leg Kick's Fashion Bus |
| D2111 | Monica Mayer | Archiva: Obras maestras del arte feminista en Mexico |
| D2109 | Monica Mayer | Un Banquete Mas (One More Dinner) |
| D0553 | Monica Ross | London Rightsrepeated (2006) |
| D1019 | Monica Ross | Rightsrepeated - An Act of Memory (2008) |
| D0949 | Monika Gunther | Performance Saga Interview 03 - Monika Gunther |
| D0796 | Oreet Ashery | Oreet Ashery (2005) |
| D0033 | Orlan | Multimedia Monograph |
| D1490 | Paola Paz Yee | Action Art |
| D1204 | Patti Smith | Dream of Life |
| D1333 | Peggy Shaw and Clod Ensemble | MUST |
| D0034 | Penny Arcade | Bad Reputation |
| D2143 | Pussy Riot | Pussy Riot - A Punk Prayer |
| D1255 | Rajni Shah | Three Short Films About Dinner With America |
| D1360 | S & P Stanikas | Two Women |
| D2150 | Sally Potter | The Gold Diggers |
| D1256 | Samantha Sweeting | His fleece was white as snow (for La Nourrice: Come Drink From Me Darling ) |
| D0601 | Sarah Spanton | Clock Ticking |
| D1772 | Split Britches | Split Britches DVD Library: Vol. 2. Beauty and the Beast |
| D1773 | Split Britches | Split Britches DVD Library: Vol. 3. Upwardly Mobile Home |
| D1771 | Split Britches | Split Britches DVD Library: Vol. 1. Split Britches, The True Story |
| D0127 | Stacy Makishi and Vick Ryder | Cinema Bizarre |
| D1855 | Tanya Raabe | Revealing Culture: HeadOn, Portraits of the Untold |
| D0353 | Tanya Ury | Promised Land |
| D0384 | Tanya Ury | Kolnisch Wasser |
| D0282 | Tanya Ury | Roslein Sprach |
| D0383 | Tanya Ury | Red Hot Pokers |
| D0352 | Tanya Ury | Golden Showers |
| D0283 | Tanya Ury | Hotel Chelsea - Koln |
| D2118 | The Famous Lauren Barri Holstein | How to Become a Cupcake |
| D2117 | The Famous Lauren Barri Holstein | Splat! |
| D1897 | The Famous Lauren Barri Holstein | How 2 Become 1 |
| D2081 | The Gluts | The Gluts: Complete Works |
| D0992 | Ulrike Rosenbach | Performance Saga - Interview 05 - Ulrike Rosenbach |
| D0235 | Vaginal Davis | The White to be Angry (1996) |
| D1866 | Vaginal Davis and Susanne Sachsse | Communist Bigamist: Two Loves Stories |
| D0950 | Valie Export | Performance Saga Interview 02 - Valie Export |
| D0227 | Valie Export | Valie Export - 3 Experimental Short Films |
| D2104 | Various | Performance Matters Archive |
| D1290 | Various | Liveartwork DVD 7 |
| D0802 | Various | SPILL - Festival of Performance |
| D0797 | Various | As She Likes It - Female Performance Art from Austria |
| D2110 | Various | Archivo Activo |
| D1962 | Xanthe Gresham | Goddess Trilogy |
| D0122 | Yang Qing | Chinese Recluse |
| D0123 | Yang Qing | I Love You . I Love . I |
| D2141 | Young Jean Lee's Theatre Company | Untitled Feminist Show |
Articles
| Articles | ||
|---|---|---|
| Performance Magazine | ||
| La Frenais, Rob | Heartache and Sorrow: Interview | Performance, 1 (June 1979), 15-18 |
| La Frenais, Rob | Spiderwoman | Performance, 3 (October/November 1979), 4 |
| McLaughlin, Marguerite | Sex War in Elsinore: Hormone Imbalance | Performance, 3 (October/November 1979), 6-7 |
| Bayley, Bruce | Sadista Sisters: Duchess | Performance, 3 (October/November 1979), 11 |
| Thorne, Simon | The Artist Who Has No Ego And No Name: Feminist Improvisation Group, Ritzy, Brixton | Performance, 4 (December/January 1980), 19 |
| La Frenais, Rob | Intrigue At The Hotel Reelaxay: Silvia Ziranek, Kitsch Artist and Social Butterfly | Performance 5 (1980), 7-8 |
| MacRitchie, Lynn | Echoes From The North: A Performance by Sonia Knox | Performance, 5 (1980), 17-18 |
| Dixon, Like | Well Do They? Gentlemen Prefer Blondes, Monstrous Regiment Reviewed | Performance, 5 (1980), 19 |
| Bayley, Bruce | Vivian Lyles Vertical Courage: A poem and description from a woman concerned with the political implications of eroticism and pornography | Perforrmance, 5 (1980), 22 |
| McLaughlin, Marguerite | The Politics of Drag | Performance, 6 (1980), 7-9 |
| MacRitchie, Lynne | Women, Images in Performance‚ | Performance, 7 (1980), 19-20 |
| MacRitchie, Lynne | Women, Performance: About Time‚ | Performance, 8 (1980), 6-9 |
| MacRitchie, Lynne | Women, Performance: I Giselle [Jacky Lansley and Fergus Early]‚ | Performance, 8 (1980), 10-11 |
| Ziranek, Silvia | A Peripheral Postural Intimation: From Silvia C. Ziranek | Performance, 9 (1981), 30 |
| MacRitchie, Lynn | The Dangerous Water Which Lies In Between: Lynn MacRitchie talks to Roland Miller and Shirley Cameron about contradictions in Performance, and finds some in their latest work Headcase | Performance, 10 (1981), 9-12 |
| Ziranek, Silvia | The Knee | Performance, 10 (1981), 30 |
| Burwell, Paul | Performed Music: Terri Quaye, Africa Centre | Performance, 11 (1981), 21 |
| Stolls, Liz | Cunning Stunts: The Tent, Battersea | Performance, 11 (1981), 27-28 |
| Elwes, Catherine | Making Up Glasgow: A Performance by Catherine Elwes, Photographed by Joyce Agee at Third Eye, Glasgow, May 9, 1981 | Performance, 12 (July/August 1981), 30-31 |
| Lansley, Jacky | Womanless Ceremony? | Performance, 13 (September/October 1981), 4 |
| Garrard, Rose | Lyon Performance Festival | Performance, 13 (September/October 1981), 30-31 |
| Reedy, Carlyle | Any/Now: Text of the recent presentation by Carlyle Reedy | Performance, 14 (November/December 1981), 4-5 |
| La Frenais, Rob | Laurie Anderson | Performance, 14 (November/December 1981), 15-23 |
| Simmonds, Diana | Pack of Women | Performance, 15 (January/February 1982), 25 |
| Clark, Gillian, and Suzanne Lacy | Curator Prejudice Attacked | Performance, 16 (March/April 1982), 26-27 |
| Simmonds, Diana | Women Live | Performance, 17 (May/June 1982), 4 |
| Dixon, Luke | Geraldine Pilgrim | Performance, 17 (May/June 1982), 13-14 |
| McLaughlin, Marguerite | Playing their lives, Val Wilmer talks to Marguerite McLaughlin about women and jazz‚ | Performance, 17 (May/June 1982), 18-19 |
| Anderson, Laurie | A Real Traditionalist | Performance, 18 (August/September 1982), 5-8 |
| Marguerite McLaughlin | Robyn Archer [Pack of Women cabaret] | Performance, 18 (August/September 1982), 12-14 |
| Gray, Watson | Legitimate Journey: Vivien Lisle explores the facts and symbols of angrogyny in a moving performance | Performance, 18 (August/September 1982), 15-16 |
| Millar, Chris | Anne Bean | Performance, 20/21 (December/January 1983), 4-9 |
| Hall, Stella | Bloodgroup | Performance, 22 (February/March 1983), 8-11 |
| Hatoum, Mona, and Rob La Frenais | Mona Hatoum at Aspex | Performance, 22 (February/March 1983), 14-15 |
| Nicolson, Annabel | Annabel Nicolson | Performance, 22 (February/March 1983), 36-37 |
| Elwes, Cate | Interview: Nan Hoover | Performance, 23 (April/May 1983), 8-10 |
| La Frenais, Rob | Interview: Kazuko Hohki | Performance, 23 (April/May 1983), 6-9 |
| Moszynska, Anna | The New American Woman | Performance, 25 (August/September 1983), 22-23 |
| Hyde, Phil | Silvia Ziranek: How Life Differs From Detergent - The Politics of the Kitchen | Performance 27 (December/January 1984), 16-23 |
| Courtney, Cathy | Art on Film / Film on Art: Rose English and Sally Potter | Performance, 31 (September/October 1984), 28-30 |
| Walker, Ian | Susan Hiller: Rough Seas, Inside a Cave Home | Performance, 34 (May 1985), 30-32 |
| Brett, Guy | Tina Keane: Snakes and Ladders | Performance, 36 (August/September 1985), 42-43 |
| La Frenais, Rob | Survey: What Performance Artists Are Thinking [includes Anne Bean, Shirley Cameron, Rose English, and more] | Performance, 37 (October/November 1985), 6-14 |
| Bartlett, Neil | This is For You, Anna: A Spectacle of Revenge [the Anna Project] | Performance, 37 (October/November 1985) 32-35 |
| Binnie, Christine | A Day in the Life of a Neo-Naturist | Performance, 38 (December/January/February 1986), 48-49 |
| Lehmann, Barbara | Laurie Anderson: Speaking in Tongues | Performance, 41 (May/June 1986), 10-15 |
| Marjoram, Bol | Mona Hatoum: Not an Entertainer | Performance, 41 (May/June 1986), 20-23 |
| Miller, Sarah | Putting On An Act: Performing Femininity | Performance, 42 (July/August 1986), 10-11 |
| La Frenais, Rob | Jill Scott | Performance, 42 (July/August 1986), 25-26 |
| Greenhaigh, Jill | Magdalena | Performance, 42 (July/August 1986), 32-33 |
| Walwin, Jeni | Rose Finn-Kelcey: Close To The Horns | Performance, 43 (September/October 1986), 8-12 |
| Babel, Tara | Third Generation: Tara Babel appraises the post feminist condition | Performance, 43 (September/October 1986), 32-34 |
| O'Pray, Michael | Tina Keane | Performance 53 (April/May 1987), 10-13 |
| Performance | Edge 88 Special Issue, [Includes Helen Chadwick, Rose Garrard, Vera Frenkel, Mona Hatoum, Tina Keane, Carolee Schneemann, Marcelle van Bemmel, Valie Export, Silvia Ziranek] | Performance 55 (1987/1988) |
| Peterson, William | Of Cats, Dreams and Interior Knowledge: An Interview with Carolee Schneemann | Performance, 59 (Winter 1989/90), 11-24 |
| Watson, Gray, and Rob La Frenais | The Poetry of the Personal: In Conversation with Yoko Ono | Performance, 63 (March 1991), 9-16 |
| Brett, Guy | Wicked, Wicked, Wicked: Susan Hiller, An Entertainment | Performance, 64 (Summer 1991), 9-18 |
| Squires, Richard | Eat Me, Read Me, Burn Me: The Ephemeral Art of Marta Minujin | Performance, 64 (Summer 1991), 19-28 |
| Hughes-Hallett, Lucy | The Battlefields of Love: Insights in the Work of Roberta Graham | Performance, 65/66 (Spring 1992), 19-28 |
| Kaye, Nick | Mask, Role and Narrative: An Interview with Joan Jonas | Performance, 65/66 (Spring 1992), 49-60 |
| Davvetas, Demosthenes | Departure: The Brazilian Project of Marina Abramović | Performance, 65/66 (Spring 1992), 61-66 |
| Hybrid | ||
| Melrose, Susan | The Kitchen as Eggshell: Documenting Bobby Baker, Live Art (in the Age of Video)‚ | Hybrid, 3 (June-July 1993), 8-9 |
| Douglas, Anna | Phantastical Masquerade: on pornography, women and performance | Hybrid, 4 (August-September 1993), 2-5 |
| Hughes, Holly | Touching on that Great Divide: International Women Playwrights Conference | Hybrid, 5 (October/November 1993), 6-9 |
| TDR | ||
| Cody, Gabrielle | Ngarnna Taikurra in the Land of the Dreamtime: The 3rd International Women Playwrights Conference | TDR, 391 (Spring 1995), 62-74 |
| Martin, Carol | Brecht, Feminism, and Chinese Theatre | TDR, 434 (Winter 1999), 77-85 |
| Buszek | Representing “Awarishness”: Burlesque, Feminist Transgression and the 19th-Century Pin-up | TDR, 434 (Winter 1999), 141-162 |
| Fusco, Coco | A Room of One, Own: Women and Power in the New America‚ | TDR, 521 (Spring 2008), 136-159 |
| Kumar, Anita | What’s the Matter?: Shakti’s (Re)Collection of Race, Nationhood, and Gender | TDR, 504 (Winter 2006), 72-95 |
| Mayer, Vicki | Letting It All Hang Out: Mardi Gras Performances Live and on Video | TDR, 512 (Summer 2007), 76-93 |
| Jones, Amelia | Holy Body: Erotic Ethics in Ron Athey and Juliana Snapper, Judas Cradle | TDR, 501 (Spring 2006), 159-169 |
| Cesare, T. Nikki, and Jenn Joy | Performa / (Re)Performa [Abramović Seven Easy Pieces] | TDR, 501 (Spring 2006), 170-177 |
| Theaterschrift | ||
| Stromberg, Tom | An Interview with Laurie Anderson | Theaterschrift, 1 (1992), 114-133 |
| Kuijken, Ilse | Catching the Moment: An Interview with Marina Abramović | Theaterschrift, 3 (1993), 104-121 |
| Theatreforum | ||
| Edling Shank, Adele | Bobby Baker: Master Chef of Performance Art | Theatreforum, 1 (Spring 1992), 42-48 |
| Uno, Roberta | Marga Gomez: Resistance Periphery | Theatreforum, 4 (Winter/Spring 1994), 4-10 |
| Auslander, Philip | Orlan’s' Theatre of Operations’ | Theatreforum, 7 (Summer/Fall 1995), 25-31 |
| Miller, Judith G. | Dossier: Werewere Liking’s Singuè Mura: Considérant que la femme [Given that a woman…] | Theatreforum, 19 (Summer/Fall 2001), 11-15 |
| Sauer, Gretchen | You’re Watching Me: Marga Gomez’s queer self-representation | Theatreforum, 21 (Summer/Fall 2002), 52-56 |
| Ferris, Lesley | Performing History into the Future: Mary Wollstonecraft in Newington Green | Theatreforum, 33, 31-34 |
| Gómez-Peña, Guillermo, Rachel Rogers, and Roberto Sifuentes | The New Barbarians Collection Fall 2007: Designer Primitives on the Runaway Runway | Theatreforum, 33, 79-85 |
| Tate Etc | ||
| Stephens, Chris | Liliane Lijn | Tate Etc, 1 (Summer 2004), 86 |
| McGrath, Melanie | Something Wrong: Interview with Tracey Emin‚ | Tate Etc (September/October 2002), 52-58 |
| State of Art | ||
| Turner, Georgina | The Art of Communicating The Self [Orlan] | State of Art (Autumn 2007), 14-15 |
| Primary Sources | ||
| Henri, Adrian | Hesitate and Demonstrate | PS, 1 (June-July 179), 8-13 |
| Roberts, John | Reviews: Bruce McLean and Cosey Fanni Tutti at the Hayward Annual '79' | PS, 2 (September-October 1979), 19 |
| Baker, Bobby | Selected Hints from Bobby Baker: How to Prepare a Packed Lunch for 50 Guests on a Limited Budget | PS, 2 (September-October 1979), 22 |
| Hart, D. J. | Reviews: Bobby Baker | PS, 3 (1979), 15 |
| Elwes, Catherine, Rose Garrard et al | About Time at the I.C.A | PS, 6 (Winter 1980), 8-14 |
| Dossor, Dinah | Rose Garrard | PS, 7 (March-April 1981), 10-11 |
| Poliester Magazine | ||
| Mosquera, Gerardo | Tania Bruguera: Reanimating Ana Mendieta | Poliester, 114 (Winter 1995), 52-55 |
| Performance Research | ||
| Hill, Leslie, and Helen Paris | I Never Go Anywhere I Can't Drive Myself‚ | Performance Research, 32 (Summer 1998), 102-108 |
| Kirshenblatt-Gimblett, Barbara | Playing on the Senses: Food as a Performance Medium | Performance Research, 41 (Spring 1999), 1-30 |
| Iball, Helen | Melting Moments: Bodies Upstaged by the Foodie Gaze | Performance Research, 41 (Spring 1999), 70-81 |
| Baker, Bobby | On Cooking the Sunday Dinner | Performance Research, 41 (Spring 1999), 93-96 |
| Heathfield, Adrian | Risk in Intimacy: An Interview with Bobby Baker | Performance Research, 41 (Spring 1999), 97-106 |
| Sumner, Alaric | Carlyle Reedy: Straddling Language and Performance | Performance Research, 51 (Spring 2000), 70-73 |
| Sumner, Alaric | Monkey Theatre (1972): Carlyle Reedy interviewed by Alaric Sumner | Performance Research, 51 (Spring 2000), 75-82 |
| Gorman, Sarah | Archive Fever: Memory as a Challenge to Finitude in the Work of Rose English and Insomniac Productions | Performance Research, 53 (Winter 2000), 90-99 |
| Townsend, Joanna | Re-membering the Performing Body: Hysteria, Memory and Performance in Portrait of Dora and Augustine (Big Hysteria) | Performance Research, 53 (Winter 2000), 125-131 |
| Grant, Catherine | Private Performances: Editing Performance Photography | Performance Research, 71 (March 2002), 34-44 |
| Blessing, Jennifer | Gina Pane Witnesses: The Audience and Photography | Performance Research, 74 (December 2002), 14-26 |
| Aston, Elaine | Feminist Performance As Archive: Bobby Baker, Daily Life and Box Story | Performance Research, 74 (December 2002), 78-85 |
| Pearson, Joanne | Stilling Bodies / Animating Texts: Isadora Duncan and the Archive | Performance Research, 74 (December 2002), 108-115 |
| Sarikartal, Cetin | Voice of Contraction: Melodrama, Star System, and a Turkish Female Star Excessive Response to the Patriarchal Order | Performance Research, 81 (March 2003), 100-111 |
| Hill, Leslie, and Helen Paris | On the Scent: Performers Who Smell | Performance Research, 83 (September 2003), 66-71 |
| Takemoto, Tina | Specular Correspondence | Performance Research, 91 (March 2004), 46-56 |
| Schneemann, Carolee | Correspondence Course 1980-83 | Performance Research, 91 (March 2004), 99-105 |
| Smith, Katy | Abject Bodies: Beckett, Orlan, Stelarc, and the politics of contemporary performance | Performance Research, 121 (March 2007), 66-76 |
| Rehm, Cindy | Echo: A Performance Project by Cindy Rehm | Performance Research, 122 (June 2007), 98-101 |
| Craft, Renée Alexander, Meida McNeal, Mshaï S. Mwangola, Queen Meccasia E. Zabriskie | The Quilt: Towards a Twenty-First Century Black Feminist Ethnography | Performance Research, 123 (September 2007), 55-73 |
| Davis, Olga Idriss | Locating Tulsa in the Souls of Black Women Folk: Performing Memory as Survival | Performance Research, 123 (September 2007), 124-136 |
| Gouch, Kathleen M. | Girls Interrupted: Gendered Spectres, Atlantic Drag | Performance Research, 134 (December 2008), 115-126 |
| Arcade, Penny | New York Values | Performance Research, 141 (March 2009), 138-156 |
| Wu, Yu-Chien | Who is in Pain? The Transforming of Symbol in Performances of Marina Ambramović | Performance Research, 144 (December 2009), 69-73 |
| Dempsey, Shawna, and Lorri Millan | Lesbian National Parks and Services | Performance Research, 162 (June 2011), 14-15 |
| Stevens Abbitt, Erica, Johanna Frank, Geraldine Harris and Roberta Mock | Aging Provocateurs and Spect(er)acular Pub(l)ic Performances | Performance Research, 162 (June 2011), 50-56 |
| Pullen, Kirsten | If Ya Liked It, Then You Shoulda Made A Video: Beyoncé Knowles, YouTube and the public sphere of images | Performance Research, 162 (June 2011), 145-153 |
| Dolan, Jill | On 'Publics': A Feminist Constellation of Key Words | Performance Research, 162 (June 2011), 182-185 |
| Frieze | ||
| Bracewell, Michael | Other voices: Michael Bracewell talks to Carolee Schneemann | Frieze, 62 (October 2001), 76-81 |
| Higgie, Jennifer | Body Language: Jennifer Higgie is entranced by Pina Bausch | Frieze, 65 (March 2002), 40-41 |
| Bracewell, Michael | Review: Yoko Ono | Frieze, 79 (November-December 2993), 108 |
| Cook, Roger | Speech Acts: a discussion with Sharon Hayes | Frieze, 129 (March 2010), 94-97 |
| Linder | A Northern Soul | Frieze, 135 (November-December 2010), 90-95 |
| Lange, Christy | What Matters Most: Kateřina Šedá | Frieze, 149 (September 2012), 112-117 |
| Lacy, Suzanne | Questions and Answers: Suzanne Lacy | Frieze, 149 (September 2012), 142-147 |
| High Performance | ||
| Bowles, Norma, and Ernie Lafky | Ironies in the Politics of Representation | High Performance, 61 (Spring 1993), 52-55 |
| Joan Hotchkis et al | West Coast Women: Performance texts from Joan Hotchkis, 4 Big Girls, Rachel Kaplan and Women Who Kill Too Much | High Performance, 65 (Spring 1994), 42-49 |
| Shapiro, Carolyn | The Lesbian Avengers | High Performance, 69/70 (Spring/Summer 1995), 80-81 |
| Janus | ||
| Borremans, Michael | Morimura Inner dialogue with Frida Kahlo | Janus, 801, 17-20 |
| Deceukelier, Els | Come Closer: Nan Goldin and Valérie Massadian | Janus, 102, 30-37 |
| Deceukelier, Els | Self-portrait as an anti-model: Orlan | Janus, 102, 38-42 |
| Cate, Ritsaert ten | Sensory Deception: Marina Abramović and Susan Greenfield | Janus, 122, 26-32 |
| Noske, Barbara, and Janaina Tschäpe | Gender and human/animal similarities | Janus, 133, 62-66 |
| Gómez-Peña, Guillermo, et al | Cross-contamination: La Pocha Nostra | Janus, 164 (Spring 2004), 52-57 |
| Van den Dries, Luk | Live Art: in conversation with RoseLee Goldberg | Janus, 195 (Summer 2005), 77-84 |
| Other Journals | ||
| Green, Martin | My Stories, Your Emails: Interview with Ursula Martinez | Beige (Spring 2012), 30 |
| Kuburović, Branislava | Matrixial Traces in Performance: the anchor series | parallax, 50 (January-March 2009), 115-124 |
| Herbert, Martin | To See a Body Think: Pina Bausch | parallax, 50 (January-March 2009), 115-124 |
| Deepwell, Katy | n.paradoxa, 12 Step guide to Feminist Art, Art History and Criticism | nparadoxa (September 2010) |
| Miscellaneous Articles Folders | ||
| A0120 Oreet Ashery | Reflections on Clapping | 2005 |
| A0127 Brian Dillon | Linder | 2006 |
| A0180 Rajni Shah | Cultural Diversity | 2007 |
| A0285 Helene Cixous | Coming to Writing | 1992 |
| A0493 Anna Watkins Fisher | Like a Girl's Name: The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, and Ann Liv Young‚ | 2012 |
| A0444 Roberta Graham and Andre Stitt | Projected Rituals, an Investigation of the works of Roberta Graham | 1986 |
| A0446 Hilary Robinson | Art and Society: Reframing Women | 1995 |
| A0474 Zoe Catherine Kendall | An Interview with Performance Artist Ursula Martin | |
| A0528 Alexandra M Kokoli | Remembering, Repeating and Working Through in Anniversary, an act of memory: by Monica Ross | 2012 |
| A0531 Petra Kuppers ‚ | Landscaping: Spaces | 2003 |
| A0535 ‚ | Interview with Ursula Martinez on 'My Stories, Your Emails' | 2012 |
| A0539 Monica Ross | History or Not | 2000 |
| A0549 Mary Paterson | Noemi Lakmaier: appearance, representation and identity | 2011 |
| A0570 Gail Priest | Laurie Anderson: Do dogs aspire to nirvana? | 2013 |
| A0571 | The Body in Question [Ilana Cohn, Barbara Campbell, Nalina Wait, Julie Vulcan, Julia Bardsley, Cat Jones, Lauren Barri Holstein, Splat!, Lucy Hutson, Rosana Cade, Forced Entertainment, Heather Cassils, Selina Thompson, Antonella Casella, Sara Wookey, Meredith Morse, Yvonne Rainer, Sara Pheasant, ] | |
| A0574 | Interview with Peggy Shaw | 1999 |
| Oversized publications section | ||
| A0573 David Drake | Other Spaces: Jo Longhurst | 2012 |
This is a fantastic resource, and I LOVE it. I have directed many of my students here. Thank you so much. What is the process for contributing digital documentation of feminist live art for inclusion in the guide?
Thanks Hannah – really pleased you are finding it useful.
We are not actually taking submissions for inclusion in the guide as such but you can contribute a map if you would like. There’s information on how to do this here.